A Star Wars Story Blu- ray. Pop Quiz: Name the "Rogue Two" in Star Wars Lore. Reviewed by Martin Liebman, April 2, 2. Since A New Hope changed the face of cinema in 1. George Lucas' film into a franchise, a worldwide phenomenon, and a fully integrated staple of popular culture, it's been. Skywalker family arc. Many. more, in fact.

The Star Wars films are filled with lore and mystique, much of which. Anakin Skywalker, his son Luke, and.. Christmas! Maybe). Many novels have expanded upon. TVshows have opened up that galaxy's rich history, but the bread- and- .

Star Wars universe remains its feature film entries. The original trilogy - - the fourth, fifth, and sixth stories in the saga - - long.

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Rather than the slow- drip. Disney has set in motion plans to finish the nine- part original series and release a number of "story" films that.

Star Wars universe. The first of these films, and.

Episode III and Episode IV and tells the tale of how. Rebel Alliance came to be in possession of the plans to the Empire's ultimate weapon, the Death Star, the destruction of which. Below (and in the fourth paragraph from here in particular) there will be very minor spoilers, not for this film's plot's mechanics but more. Star Wars' universe that appear in the film. Some screenshots may be considered minor spoilers for character. Rogue One tells the story of Jyn Erso (Felicity Jones), daughter of Imperial engineer Galen Erso (Mads Mikkelsen) who is reluctantly.

Empire's newest weapon, the Death Star. Jyn, long separated from her family and raised by hardened rebel veteran Saw Gerrera. Whitaker), is recruited. Imperial base and transmit the Death Star's plans to the Rebel Alliance. Upon mission's outset. Rebel intelligence officer Cassian Andor (Diego Luna), an imperial defector (Riz Ahmed), and a reprogramed imperial droid (Alan Tudyk).

The. plot is relatively straightforward and its most fundamental ending detail is already known to anyone who has seen a Star Wars. When does filling in gaps ruin the charm. Star Wars certainly has some leeway in this regard. Rogue One takes on.

And it doesn't reach that point of oversaturation, excess detail. The movie wasn't necessarily needed, either, but the story, its setting, and its staging make for a hugely. Star Wars experience. Star Wars in a new direction while still being Star Wars at its. The film's entertainment value is high.

Action comes swiftly and on a large scale, leaving behind many of the more cartoonish elements of. I, II, and VI in favor of a more gritty, realistic, blood- and- guts tone and.

R- rating. Rogue One is essentially the Deep Space Nine of. Star Wars universe. Watch Tarzan And The Jungle Boy Online Hollywoodreporter on this page.

And. that's not a bad thing, because that show is, by many measures, the best of the Star Trek bunch. This is Star Wars at its. DS9 was for the Federation. But it's also like DS9.

In Rogue One, most of the core, fundamental. Star Wars details and. It's a structural departure and off- the- beaten path but very much attached at the hip nevertheless. There are no. scene wipes, for example. The movie doesn't begin with the classic John Williams fanfare, bold yellow logo, and introductory story crawl. One is the bleakest and most tonally dark Star Wars movie yet, and by a fairly wide margin. From an emotional perspective it's.

The Empire Strikes Back, but it's certainly in the same ballpark. It. simply share the Star Wars universe, it expands on it and in many ways enhances it and does so with a more sinister, but necessarily. Director Gareth Edwards (Godzilla) and Writers John Knoll, Gary Whitta, Chris Weitz, and. Gilroy may not have come. The Force Awakens, at all - - but.

It's the same problem shared by the prequel films, but with the possible exception of Revenge of the Sith. One handles it better. The movie is ridiculously entertaining and engaging, even if it's just a linear tale of action and espionage and a. Star Wars universe, a particular challenge. A New Hope, easily the most recognizable and well- known in the franchise. Every little touch is. It's not fan service (though a few fun little bits are included..

Red Five," which would be Luke's. Hope, meets a quick demise in this film), it's exacting production design.

Every little texture is right. Whether on ships or clothes or props. Even the way interfaces work.

Episode IV timeframe. It's exciting to revisit the most cherished moment in the Star. Wars universe, and Edwards doesn't disappoint, even if the traditional Star Wars staple lightsaber battle, always a part of the.

A New Hope), is understandably absent. There are a few things that don't work quite as well as they should, though. The Death Star data files are said to be massive, stored on a. The. and underfunded rebels apparently have better technology, in this case, than the Empire. Another is Vader's voice. James Earl Jones returns. It's conceivable that the voice doesn't exactly match for a reason, that.

Anakin Skywalker to Darth Vader, still recovering from his wounds and becoming accustomed to his new enclosure. The film doesn't give. Revenge of the Sith. That said, and small spoiler here, it's obviously very close to. A New Hope, its endpoint maybe as little as minutes and probably no more than a few hours, a day, maybe, at the most.

Episode IV, so that theory seems unlikely, and maybe that's just a personal nitpick that won't bother anyone else. The aforementioned "Red Five" joke is great, but while Red and Gold leaders work in terms of timeline, the. A New Hope in the way they appear positioned in the cockpit and. Counter to that, neither the Tarkin nor Leia appearances seemed distracting, though the latter's. Episode IV's title, even as the word is bandied about several times throughout the rest of the film. Rogue One: A Star Wars Story was digitally photographed but practically passes for filmic texturing.

Disney's 1. 08. 0p transfer is. UHD release; the film was finished at 4. K), showcasing all of those incredible Star.

Wars textures, both made for the movie and established in lore, with amazing precision. The film begins with a cold, gray backdrop, offset. Detailing proves terrific in this sequence, with rougher environmental textures, finely defined facial. Krennic's costume all excellent.

The battle- worn locations on Jedha are a textural delight of little nooks and. Stormtrooper uniforms in stark contrast. Rebel costumes are wonderfully defined in close- ups, where. Much the same can be said of Rebel starship interiors, contrasting with the familiar. Imperial locations.

Digitally recreated characters appear surprisingly realistic with no digital sheen or softness. X- Wing engine glows, fireballs, a red lightsaber, or the colorful natural highlights around Scarif all. Much of the. film, however, is either earthy or Imperial gray or poorly lit, though there's plenty of fine nuance and variation of those shades throughout. Flesh tones present no dilemmas.

This is Blu- ray at its finest. Rogue One: A Star Wars Story features a wonderful DTS- HD Master Audio 7. The presentation comes in perfect. Music flows effortlessly, playing. Every note of Michael Giacchino's score and John Williams'. Action effects, certainly, dominate the track.

Blaster fire is appropriately. Explosions are deep and detailed. Debris scatters through the stage with every one. Jedha or a full- blown land battle on Scarif. That latter battle offers a dazzling.

With blaster fire, rapid troop movement, screams, walkers pounding the planet's surface, and X- Wings and TIE Fighters. Wars sound effects present with incredible clarity and distinction, even jumbled together. Obviously this isn't a track that engages overhead channels - - it's neither a DTS: X track or a Dolby Atmos track - - but there are several. A young Jyn Erso hides in a hole in a rocky formation.